After leaving the world of Twilight behind, director Catherine Hardwicke was ready for a new challenge. Specifically, Hardwicke was looking for an empty canvas where she could fill in all the cinematic blanks with her own imagination and she found it with Red Riding Hood, starring Amanda Seyfried.
SheKnows: When you first got the script for Red Riding Hood, what were your first impressions of it?

SheKnows: Was that professionally inspiring for you to be able to work from a palette from scratch? With Twilight, you kind of had your hands tied.
Catherine Hardwicke: Yes, I loved that. I wasn’t so fixed on Twilight [laughs]. This is a real one. Twilight had to feel like a real high school. These vampires in Twilight had to fit into a real high school and wear what regular kids wore and the like. Making Red Riding Hood, this one was a lot more liberating. I could completely draw from my own imagination. We have it in our fairy tale world and we determine what it looks like. It’s not France in 1437. It’s our interpretation of a fairy tale.
SheKnows: Also what struck me too was the score, it just added a whole other layer of haunting. When you gave your composer the task and then he came back with those haunting chords and melodies, did you just want to hug him?

Read the entire interview here.
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